Brenda Pinnick’s Personal Story
June 25th, 2008 by Gloria HansenHello everyone,

I’m honored to be the first guest blogger here on the Orphan Works Opposition Headquarters. I’m going to speak from the perspective of an independent businessperson who uses her creative skills to make a living. I also was one of the varied groups of artists who visited Capitol Hill a few weeks ago for the purpose of calling on our elected officials regarding the Orphan Works bills before the House and the Senate.
If someone had told me a year ago I would be going to Washington D.C. to advocate for anything, I would probably have answered, “You must be thinking of someone else!” You see, I’m a girl of many pictures and not so many words, who, spends her days alone, (o.k. with my cats) in my studio, making art and design for licensing.
Quite frankly, I was surprised when we received the undivided attention and the apparent concern exhibited by most of those who we met with. Even more surprising, many of the elected officials or their staff whom we met with was either misinformed or unaware that working “creatives” were opposed to these bills! That’s right, they thought we were FOR the bills because this is what they had been told by the commercial entities that are pushing these bills! It was then that I realized how vitally important it is to make our voices heard. And thus, the reason for this website and the information made available through it. Please read through the downloads and information provided. . The very idea of walking into a Congressman’s office was mind numbing to me. I mean, what could “my story” do to make a difference?
My story is simple, I design large scrap booking kits with many pieces and parts (I’m talking thousands) which can in no way be identified by the standard © symbol and my name. The pieces are much too small and quite frankly, no scrap booker wants someone’s name on the products because it would be intrusive on their creations. Why is this a concern? Because these bills will create a necessity for me to use a privately owned, pay to use, “registry” in order to keep my art from becoming orphaned. With no name on all those little stickers, die cuts, etc; it would be a nearly impossible task for an infringer to find out whose art it is. In order to protect my (MY) property from being used against my wishes, I will need to pay for every single little design to be “registered” not only with the US Copyright office, (fee is $35. for on-line registration) but now, with these yet to be established “private registries” who are not doing this out of the goodness of their heart, but as a profit making entity which can be bought, sold, closed, hacked into, or have a questionable motives for “not finding” my art. All this for an undetermined fee to be paid by the artists so their work is “made searchable”. And, how many of these registries will there be? No one knows. Then, after the impossible burden of all this, an artist will still have no way of stopping an infringer who did a yet to be defined, “diligent search” and managed not to find me! This may cause a contractual conflict with my existing licensing partners.
If , after being infringed, and artist wants to retrieve a “mutually acceptable” fee from the infringer, he or she will have to foot the bill for both the lawyer and the court costs. And really, how much bargaining leverage does one have after the deed has been done? Licensing works very differently from selling your intellectual property rights. It’s a loan of your art to a manufacturer who pays you when/if the goods get sold. If the goods are well received, reorders are placed. A single image might be an enormous best seller generating income for many, many years. How can anyone know what the worth of that image is without letting it run it’s natural course through commerce?
I’m going to stop here for now. There are many additional issues of great concern, which you can read about in our talking points.
On a final note, here is a quick illustration I did after returning home from Washington.
Our art is something we create from within and often it feels like our “children”. This illustration reflects my feelings as a creator.
Thank you for visiting and considering my perspective.
– Brenda Pinnick


